1951 Lithograph Toulouse-Lautrec Art L'Anglaise du Star du Havre Portrait Study

240287_LTX1_011

"L'Anglaise du Star du Havre"

This is an original 1951 two-color lithograph of a 1899 portrait study in red chalk on gray-blue paper by Henri de Toulouse-Lautrec.

CONDITION

This 64+ year old Item is rated Near Mint / Very Fine. No creases. No natural defects. No surface rub. No tears. No water damage. There are some very faint foxing marks in the left and bottom margins The small white mark in the bottom right corner is just a reflection on our digital image -- it is NOT on the item. Please note that the plate number is on the verso.

  • Product Type: Original Lithograph; Color
  • Grade: Near Mint / Very Fine
  • Dimensions: Approximately 9.25 x 12 inches; 23 x 30 cm
  • Authentication: Serial-Numbered Certificate of Authenticity w/ Full Provenance
  • Protection: Packaged in a custom archival sleeve with an acid-free black board (great for display, gift-giving, and preservation)

Period Paper is pleased to offer a collection from 1951 of lithographs by the French artist, Henri de Toulouse-Lautrec (1864-1901). These lithographs are from a Limited Edition (No. 114 of 1000) and are printed on Velin Stock. This amazing collection includes many portraits and portrait studies, as well as illustrations for the novel La Fille ƒlisa by the Goncourt brothers -- Edmond de Goncourt and Jules de Goncourt.

This piece was illustrated by Toulouse-Lautrec, Henri de. Artist signature in print - bottom left of image.

Toulouse-Lautrec, Henri de

Henri de Toulouse-Lautrec (Nov. 24, 1864 Ð Sep. 9, 1901) was a French painter, printmaker, draughtsman and illustrator. He was one of the greatest artists in Post-Impressionism and drew inspiration from the colorful and theatrical life in Paris. He suffered from a series of health problems and couldnÕt partake in a lot of normal adult activities so he immersed himself in his art. His career only lasted twenty years but in that time he created over 6,500 pieces of work. He excelled at capturing people in their working environment and crowded scenes in a sympathetic and dispassionate manner.

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